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The fact is, even on the side of the angels, a writer has to reserve the right to tell the truth as he sees it, in his own words, without being accused of letting the side down

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Paul Gilroy

Paul Gilroy is Professor of Sociology and African American Studies at Yale University and author of Between Camps (published in the USA as Against Race) and The Black Atlantic.

Recent articles


Melancholia and multiculture

In the first of a series tracing “the strange career of multiculturalism”, Paul Gilroy – leading thinker on race and racism, and currently chair of African American studies at Yale University – surveys the current debate in Britain, and calls for an end to its entrapment by “the problem of assimilation”.

Writers, artists and civic leaders on the War: Pt. I

President Bush has rallied his troops for what he calls “The first war of the 21st century”. What is your view of this crisis, where, briefly, do you stand? This is the question we are putting to people around the world, especially those with their own public reputation and following. Our aim, to help create a truly global debate all can identify with.

See also "Writers, artists and civic leaders on the War: Part II"

Raise your eyes

As we remember the dead, we face a fundamental choice. We can feed our fears of the clash of civilisations. Or we can enter a new global era and build on our shared sense of the fragility, and diversity, of human life. Our grasp of the history of racism may play a crucial role.

Neither Jews nor Germans: where is liberalism taking us?

Paul Gilroy’s work, “Between Camps: Nations, Cultures and the Allure of Race”, challenges the way that categories of ‘race’ are routinely used and proposes an audacious new binding concept of ‘planetary humanism’. He elaborates the argument in an interview with Anthony Barnett, Bola Gibson and Caspar Melville of openDemocracy.

Ali G and the Oscars

In a scintillating panorama, Paul Gilroy examines western multiculturalism after 11 September – from redemption at Hollywood’s Oscars to Ali G, slipping between sad joke and protean satire.